Thursday, 3 February 2011

Letter from Cairo

Dear Mr Thomas Cook,

It is with great regret that I find myself locked inside my hotel room, typing this letter of complaint, when I should be outside enjoying the package holiday that I paid a bloody fortune for. This won’t do, and I can assure you that I won’t be using your services in the future.

Since arriving in Cairo last week, the holiday has gone from bad to worse to absolutely bloody disgraceful. For starters, it’s just too damn hot… which wouldn’t be a problem if I could sit beside the swimming pool in a civilised manner. However, the air is heavily polluted here- the horrendous stench of burning rubber is enough to make anyone sick, but now they seem to have started burning human flesh as well. Not on. To make things worse, the noise pollution is extraordinary. All this incessant chanting…what are they even saying? It all sounds the same to me, they could at least have the common courtesy to speak in English. Their entire economy is built on tourism- show some bloody gratitude!

I have never before experienced such appalling customer service. I doubt that Jamie Redknapp would stand for this, and I certainly won’t. It took me three hours to get a beer in the hotel restaurant the other day, an absolute shambles. It’s like a ghost town, only a handful of staff have even bothered to turn up and they are just moping around with million mile stares. Totally unprofessional and, let me tell you, thoroughly unacceptable. It seems like these people lack the basic values to turn into work each day. Sure, go out and make bloody racket- it is a free country after all- but do so in a way that doesn’t affect people who have paid good money to be there. I didn’t get where I am today by skiving off work and shouting in the streets like a bleeding Bolshevik. Those last years of Gordon Brown were no picnic, let me tell you, but you didn’t see me rubbing my shoes against a picture of his face. You know why? Because I was in work, doing my bit to put the Great back in to Britain.

On the rare occasion that we have deemed fit to leave the hotel premises, we have been appalled by how filthy the streets have been. You can barely walk without tripping over flags and rubble and all manner of debris. Hardly the immaculate beauty promised in your brochure. Furthermore, the “friendly vibrant culture” that you promised seems to be a gross fallacy. I was expecting much more of the people here, but my confidence seems to have been misplaced. I can hardly begin to tell you how much I was looking forward to being mobbed by street vendors hoping to sell me sunglasses, bongos and other such hilarious trinkets. That’s the kind of go-getter attitude that I thoroughly approve of, but it is no where to be seen.

My previous points pale in the face of our trip to the museum last night. All around us people were screaming and lashing out. Save for a few rather friendly fellows on horses, the crowds were an absolute disgrace. Crikey Moses, you’ve made your point, now go home and let me enjoy the Jewels of King Tut in peace- or at least have the common decency not to run about ripping the arms off mummies and using them as weapons. I tell you, the things we saw we will never forget. Blood everywhere. People on fire. We even saw a man with his brains hanging out; really shook up my missus, that did. If you think that you can get away without paying us compensation for this you are greatly mistaken. We have human rights too, and it is clear that the tourists are the real victims here.

I have never been so angry in my life. Having flown half way across the world to experience the ‘Wonders of Egypt’, I now find myself wondering how I could have been stupid enough to use your services after a long history of disappointment.

I trust you received my letter from New Orleans.

Sincerely,

Nigel H Mortimer

Tuesday, 14 December 2010

Review: Trojan Horse




It’s a good job I don’t do this for a living. I was asked to review Trojan Horse’s album weeks ago and am only really getting around to it now. But here I am, typing some words. In order to do so, I’ve decided not to go to work- which, coincidently, is where I do make a living.
Like any ne’er do well, I’ve got my excuses. A big stumbling block has been dark associations that the band’s name has in my curiously fragile life. Some time ago, when my over used collection of asphyxi-cuckoldry videos began to feel a bit stale, I set out in search of a new exciting alternative. I delved the recesses of the human condition (feltch-gasketing, HIV bukake, train track bondage etc. etc.), hoping to rediscover that indescribable thrill of the decadence nouveau or, at the very least, achieve something resembling an erection. For those of you unfamiliar with these passions, be advised, the internet is a dangerous place- particularly for your computer. Within minutes of starting my lonesome journey into the wildernesses of perversion, my PC began to show the first tell tale sign of wear and tear- advanced intelligence. The computer began to think for itself, the curser struggling free of my mouse enabled ownership. I watched in horror as it drifted around the screen for a few moments, before opening my online banking account. It then made several large transfers to the Vatican, only stopping when my overdraft had reached it’s limit. The blue screen came next. Efforts to resuscitate the machine had various degrees of success, but all came to the same end- a series of beeps, several error messages and then a crudely made, and unstoppable, Powerpoint presentation outlining the benefits of the Rhythm Method.

Back in the present tense, I’m currently using a borrowed laptop with several keys that stick (see above paragraph), writing a review for a band which, ironically, shares a moniker with the film that killed my computer. In hindsight, I probably should have given that one a miss.

Trojan Horse kicks off with the rather ecstatic ‘Mr Engles Says...’, which nicely charters out the band’s own manifesto. Tight stylistic changes, lush arrangements and catchy choruses abound here- it is clear that a lot of time and effort went into this album and the results, for the most part, reflect this. The Horse take a no holds barred approach songwriting, bouncing between genres regularly without ever feeling forced. It’s a tapestry of familiar sounds, patched together to make a finished product which is unique and interesting. Not an easy feat. There are, however, moments that let the album down- it occasionally ventures in to blander pop territory with tracks like ‘…And the lights went down’ being less than memorable despite some nice flourishes.

Minor flaws are forgiven, as Trojan Horse have created an album which fully showcases their elaborate sonic spectrum. These 10 songs certainly hint at their reputation as one of the more exciting live bands in the Manchester area (an opinion that I whole heartedly endorse). I’m not sure if they’d like me saying this or not, but there’s a very British feel to this LP, kind of like drinking Liberty Cap tea with the Mad Hatter in the pouring rain. By which I mean to say, the album is euphoric and rich, full on and excessive… it’s likely that too much of it could make you feel a bit ill, but there’s only one way to find out. TH make nods to an eclectic mix of bands, ranging from the Beatles to Mastodon, but manage to mould their own sound throughout. The lasting impression that I got from listening to this album was of a band that immensely enjoys making music and sees no reason to pretend otherwise. Hopefully, I’ve burnt down enough churches not to be kicked out of the Burzum fanclub for finding this joyful approach to music refreshing.

Sunday, 3 October 2010

Get in the Van


We’d been driving for a long time. Those at the wheel were about to see their third morning in a row without sleep and our minds were beginning to play tricks on us. Strange things start to happen when a group of people are placed in a confined space for long periods of time. Add the constant vibrations of the road and uncomfortable seating arrangements to the equation and the results become truly chaotic. Our motley ensemble rapidly transformed from well mannered gentlemen into perverted truckers who suffered from severe Tourettes- involuntarily screaming at pedestrians and passing vehicles alike. The overall vibe in the van had shifted, without warning, from naïve excitement to road wearied sleaze. We certainly weren’t proud of ourselves but it couldn’t be helped. The mere sight of an attractive woman was enough to spark a fury of shrieks, hollers, moans and gasps as we grappled over one another to get a better look. This was not how we’d hoped to represent ourselves to the people of Europe but it could not be helped. We were possessed, condemned to cruise dark Gallic streets ordering innocent strangers to “Get in the van!” Imagine the sense of rejection as our advances were met by expressions of horror from the locals, who were certain that this was the beginning of David Cameron’s plans to transport dangerous sex fiends to Eastern Europe. Needless to say, nobody ever got in. However, it was in the grips of this animalistic state that we found ourselves facing our first real test of character. The Law.

If you worked as a Customs Officer, patrolling the highways of rural France, it's likely that you would have, sooner or later, devised some kind system for spotting potential criminals. This would, almost certainly, be based on stereotypes and wanton speculation, but- hey- if it works it works. Perhaps you would keep an eye out for tinted windows, loud music or simply nervous behaviour, but- if you know what to look for- travelling drug casualties are pretty easy to spot. As the Mind of Fire van pulled up to a deserted toll booth at 3:00 am on that Tuesday morning, it's pretty safe to say that we ticked all the boxes. The pounding 4/4 Techno beat blasting out the windows, may well have woken them up. If that didn’t get their attention, the frantic shouts of “EUROS! WHO’S GOT THE EUROS?” and the howls of rage as yet another beer spilt across the passenger seats, must have. To be honest, though, even with out these distractions, nine dishevelled English dudes in a fogged out van was always going to raise some eyebrows.
As the first torch glared in our faces, we decided to play it cool. “Guten Tag, Herr Officer!” we called out, before someone remembered that we weren't in Germany yet. We were directed to a lay-by a few metres away, where we were met by several police cars. The cops gathered en mass around the van. “Where are you going?” they demanded.
“Croatia,” we replied, “We're musicians on the way to a festival.”
“Musicians? What kind of music do you play?”
“Umm... Well, reggae... I guess.”
Wrong answer. The female officer raised an eyebrow. “Ahh! Like Bob Marley?” Within seconds, the side door was yanked open, and with it several empty beer cans fell to the ground. The degenerate state of the van's interior can only have confirmed their suspicions, as they shone their flash lights around a dank cavern of cigarette butts, spilled beer and bent playing cards. Six strange men, in various stages of mental decay stared back at them, eyes adjusting to the sudden influx of light. The cops eyed the scene suspiciously. Then they discovered The Smell. Their noses twitched in disgust as the first wave hit them. A Victorian work house for hydrophobic necrophiles would have smelled like the Body Shop in comparison. The questions began. “Do you have hashish, ecstasy or acid?” they asked in chorus. It goes without saying, the Mind on Fire band would never even consider smuggling such dangerous substances across International borders, but they were not having it. One of them, with seemingly no concern at all for due process, attempted a childishly transparent act of entrapment; asking us if we wanted to buy any cocaine.
I decided it was time to create a distraction, so, after making sure there was only a small danger of being shot, I got out of the van and beckoned to the one that seemed to be in charge. We walked to the front of the van. He followed eagerly, perhaps expecting me to reveal a stash of black tar heroin hidden in the wheel well. I didn't. Instead, I began asking a series of questions about the converter stickers that we had placed over the headlights. He stared blankly at me for a moment, so I began gesturing wildly and pointing at the beams. Bemused, he said, “Look, I really don't care. I'm Customs- not some Traffic cop. Are you on drugs?” I replied that I was very concerned that we were breaking his country's laws with misplaced stickers and that I had not taken any drugs. As my attention turned back towards the headlights, he walked away back towards his car. Meanwhile, the interrogation in the back had drawn to an end.
We breathed a collective sigh of relief and set back on our way. The short spell of trying to act like normal people had taken a big toll. It had been the first time in over a day that we had been forced to let the outside world in, and it had raised some serious questions about our sanity. Like I said at the beginning; we'd been for a long time, but there was still a long way to go. The van pulled back onto the highway. After a while, a voice from back seats broke the silence. “That lady cop... She could well have got in the van!” And with that, we were on the road again.

Saturday, 11 September 2010

A Clubber's Guide to The Cosmos



He exhaled the thick, sweet smoke. A shudder worked it's way up his spine- a telegram wishing him a fond farewell. He was cold, but his palms were clammy. Fidgeting, he felt himself gripped by a familiar nausea. As the bluish cloud began to dissipate, the world around him also became, somehow, less solid. Voices, punctuated by giggles and hollers, swam around him. No longer able to make out the meanings of these words, he slouched in his chair imagining himself to be alone among the crowds of Babel. The joint made it's way around the circle of contorted faces, and after what may just as well have been several days, he found him self staring at it, held tightly in the shaking vice of his index finger and thumb. He had a flash of recognition- a picture rather than words- that this mystery plant, now burning to ash, had once been an animal walking the earth. An archetypal spirit which had found peace in the earth and grown roots.

Words. They floated around him, beckoning. Yet his tongue searched a parched mouth and found none in reply. His eyes darted around the room again, wondering how his companions could have become so unfamiliar. Fingers grasping in air, breathing became more difficult. Alone. Darkness encroached upon his vision in pulses which reminded him of a birthing child, and then with one final push, he was somewhere else altogether. Gripped by a terror which has no mortal name, he was surrounded on all sides by a sea of fire. Far in the distance he could make out a castle, made of black stone in a twisting architecture unknown to man. The structure was circled by five pillars, and resting on top of these was a seven pointed star. Gazing towards it, he remembered (no, relived) the moment his father had finally walked out on him after beating the living shit out of his wretch of a mother. He was suddenly young again. A virgin. Eyes. Hands. Laughing. Stomach. Love? He had thought so, but the words had failed him. He watched again and again and again as his life approached choices to which he had taken the route least desirable.

Is this it? Am I dying? Is Hell but an eternity of reliving our mistakes? Our fears? Our regrets? Our death? Perhaps this is Eternity, to endlessly repeat our own deaths, only realising when it's too late, that you have already been through this. A feedback loop of despair. An Ouroborus of humiliation. Well if it is, then fuck it all. I can take it. Is this really all you can throw at me, you faded Morning Star? Shoot. Go on. Hell, I know I fucked up. But I figure, over the course of an eternity, I could get used to anything. Anyway, every path leads somewhere else in the end, and even if I had shot my load that night, things could have turned out a whole lot worse. You don't know. You never get to find out. If that's all You've got to throw at me, then Dante was one mother fucking pussy-assed son of a whore.


Release. His eyes opened and he was back in the club. A woman. Beautiful. Ivory skin and hair like a moonless night. She stroked his face. “It's all right,” she whispered. “Drink this.” And she handed him a chalice of a red wine like he had never before tasted. It had clearly been fermented from grapes, but it's aroma hinted that it had been infused with a flower. Which? It mattered not at this time. He drank. And as he stared into her green eyes, she bent towards him and kissed his mouth. “Come,” she whispered. “It's about to begin.”
“What's you name?” He stuttered, amazed that words had left his mouth at all.
She laughed sweetly. “My names? Well, I guess, Lilith will do for now.” And with that she stood up and held out her hand.
“Lilith.” The word seemed to hang in the air indefinitely. “Where? Where are we going?”
“To the Binah Club. You really don't want to miss it.”
 He stood and let her lead. The room was now empty except for a bartender, who, looking up from mopping a table, nodded to Lilith. Not acknowledging this gesture, she glided towards the back of the tavern. He followed. Through the door and into the night she led. And into the night, he followed. There was no conscious decision to accompany her, no desire see what she had in store for him. But he felt no resistance, so he followed.

In silence, they made their way through winding cobbled alleyways, so narrow that the slanted tenement walls rubbed against his shoulders. It had rained earlier and now a low rolling fog limited visibility to just a few feet. As his legs moved him forwards, as if completely disconnected from his mind, he was reminded of the stories he had heard of the Ferryman who guided the recently deceased to the Underworld. He wondered for a moment if she had read his mind, for now he found himself stood beneath the gates of a dark and unwelcoming cemetery. For the first time since he had met Lilith, he tried to resist, to fight, to pull away, but he could not. So he followed. He followed through the gates, which, on closer inspection, appeared to be made of bones, although a thick coating of ash prevented him from being certain. So, his uncertain legs carried his uncertain body deep into the blackened abyss of the graveyard, until, without warning, she stopped. He watched as she knelt on one knee before a patch of soil which had recently been disturbed. And from this mournful ground she picked up two red roses, which in that dark place seemed the shade of coal.
“The price of admission,” she explained, taking his hand once more and leading him back past the the tombs and headstones, the obelisks and crosses, angels, and stars- memorials to lives once lived but no more. Bodies spent, devoid of humour or goodwill, eternal dreamers in a land with no sun. They passed through the gate of bone in silence, back into the winding network of nightmarish alleys. He was disorientated, lost in a city he had thought he had known well. Twists and turns, ascent followed by decent- past filthy beggars grasping his coat sleeves.

It was with a great sense of relief that they exited they exited the maze and stood in a court yard. Tall, windowless buildings lined three sides of the clearing, mouse hole alleys all but invisible in the darkness. Directly in front of them, at the far end of the courtyard, stood a tall triangular structure with no distinction between wall or roof. It was built of black marble, and, illuminated by torches along the wall, he could see that three great swords had been etched into the hard surface above an imposing doorway. Each sword pointed skywards. The one set in the middle was a straight blade, which, at it's point, impaled flower. The swords on either side of it, Arabic in design, curved outwards, as if repelled by it's violence. A wreath had been carved into the marble, encircling the symbols. Other than this, there were no other markings visible on the front of the building. Even without a name, it seemed fairly obvious that this was where the Night had taken him.

At the door way stood two men dressed in long dark gowns and hoods which cast shadows across their faces. Upon recognising Lilith, they bowed their heads. “Your guest is most welcome, my Lady,” the doormen spoke as one without looking up. They entered a great hall, lit by torches along the walls and candles on each table. Smoke hung heavily in the air, creating patterns of swirling beauty in the flickering light. As the other guests noticed their arrival, the laughter and excitable chatter which filled the room slowly died down to a silence, punctuated by a few irreverent whispers and coughs. He sensed they had been waiting. Lilith (or whatever her name was- he had heard several different ones whispered on their arrival), lifted her left hand, index and middle finger aloft, in the fashion of papal benediction. With that gesture, the crowd came to life again. On stage a sombre trio of piano, double bass and drums played slowly, accompanied by a female vocalist who sang in a style he was unfamiliar with. It was rather nasal and droning, finding a note and holding it for a long period, somehow creating overtones and harmonics. He did not need to ask, without any prior experience of such gatherings, he was sure that this was an invocation of some kind. In fact, as he looked around him he felt oddly familiar with the setting. It was a stark contrast to a night full of questions, for suddenly he felt embraced by a peculiar sense of Knowing. Perhaps not knowledge which he could freely put into words or explanations, but a sense of order which struck a chord with his inner mind.

Looking around he realised that he had lost sight of his hostess. Feeling at ease now, he found himself a seat at a small round table, occupied by two women deep in conversation. Not really listening to what they said, but soothed by their sultry voices, he sat back and soaked in the scene. Before long, a small man darted through the crowd and placed a metal goblet full of wine on the table. The man bowed bowed awkwardly and made a quick retreat. The women of the table acknowledged him now for the first time, raising in their own cups. He followed suit and as their vessels clanged together, the lady to his left toasted, “Three cups become one, drink now to Abundance.”

They drank. The wine tasted similar to what he had been drinking earlier, he felt certain now that it was lotus which supplemented it. He was aware now of how beautiful these women were. The woman to his right, whose dark black glistening skin seemed to beckon him, leaned close to his ear and whispered, “Yes, let's drink to an abundance of pleasure. ” Breathless, he felt overwhelmed by his lust. The woman on his right, who wore long blond hair and who's skin was like that of a porcelain doll, leaned into his other ear. “And an abundance of the senses,” she purred, kissing him lightly on the cheek. He could barely contain himself, yet as he tried to speak, words refused to cooperate. He stuttered and stammered. Speechless. They giggled and turned their attention back towards each other, talking and touching and, before long, kissing passionately. Perplexed but content, he finished the remainder of his wine. Around him, he noticed that similar scenes were unfolding around the room. The air practically dripped with sweating desire. Moans of pleasure surrounded him, sending prickly shocks of electricity up his spine. Yet he could not move.

After some time, a gong sounded and the spell was broken. The divine creatures with whom he sat, broke free from each other and looked towards him. “It is time,” they said in unison, although he noticed that neither had moved their mouths. As they stood, he saw that both held a single rose. He observed as they walked to the front of the room and placed their gifts on the stage, before parting ways and disappearing into the shadows. Rising, he made his way through the tables and placed his own rose on top of the pile. A sense of apprehension prompted him to head towards the back of the hall. He found a cushion on the floor and, sitting cross legged , he waited. His eyes were locked on the stage.

Several large speaker cabinets were wheeled onto the stage by men wearing grotesque masks. When they had finished stacking amplifiers on top, they scurried off, using their hands and feet to move. Moments late they returned, labouring comically over two large drums. After much to and fro-ing, the scene was set up and they tumbled off the stage. The crowd applauded these demonic roadies with tremendous enthusiasm, clearly impressed with the show so far. Shortly after this, four men walked, slowly on to the stage. Each of them were dressed completely in black and each had long dark hair past their shoulders. He was taken back by how large they were, with tattooed arms bulging out of their uniform vests. In fact, the sheer masculinity of this band seemed strikingly at odds with the overwhelmingly female crowd. Fascinated, he cheered with the rest of the audience as the men stood in centre stage and bowed. The sinister stage-hands reappeared, placing a stool on either side of the pile of roses. From the rafters, dropped two long ropes, each ending in a noose. Two of the darkly clad musicians turned and climbed onto a stool each and then, simultaneously, placed nooses around their necks. Their companions handed them a guitar each, before heading to their respective drums.

For a moment they were still. The silence in the room was palpable, and although it lasted but a few seconds, seemed to span a lifetime. And then it began. He felt it, before he heard a sound. It was as if he had been hit by a flash flood, such was the tremendous force of the music. A low, throbbing eruption of guitars burst from the speakers. At first he recoiled, like a Pompeii statue, totally unprepared for such a sonic onslaught. After this initial burst he began to acclimatise. The sound waves were nearly visible, as glasses shook on tables and the crowds swayed along. In a trance he spread out his arms and let himself be taken away. Around him, audience members lay on the floor, writhing in ecstasy as the vibrations worked up through bodies- from their feet up to their crowns. He felt himself returning to the womb, comforted by the terrible embrace of Apollo. The drums thundered. He imagined Thor and Odin and Hydras and Syrens and the constellations and the fall of Rome. Poseidon's trident and Baldr's death cry, an end of history. He was consumed and he consumed, entranced by a magic unknown.


After a few minutes, the first glass smashed, pushed off it's table by the fluctuations of the room. It was followed by several more, and regaining his senses he noticed that the stools, on which the guitarists were stood, were also moving. Still the drums beat steadily, holding the ritual together in powerful explosions. In awe, he watched as the stools shook and slid across the wooden stage. Bit by bit the pieces fell together. The men played in unison, striking their instruments as one, moving to manipulate the magnetic fields surrounding them as one- as if the whole scene had been choreographed. He stared, eyes locked, as the unthinkable became the inevitable- as the stools skidded and slid, shook, shuddered and jolted, the men balanced precariously upon the razor's edge of life. Time no longer counting, the curtain call came as the guitarists, fell- losing footing at precisely the same moment. As they dangled, the musicians- somehow- resisted the urge to grasp at the tightening nooses. Instead they held their final chords throughout their final moments, and beyond. As their companions swung, gasping for their last illusive breaths, the drummers increased the intensity of their rhythm, pounding furiously and ever more quickly. The low rumbles of the guitars transmuted into squealing feedback as their masters' hands moved no more.

He watched in awe as the bodies swung, pendulums of decay. As the crowd began to regain their senses, as laughter broke the silence, he was unable to move. Mouth agape. Paralysed.  Erect.

Tuesday, 7 September 2010

All Power to The People

Required viewing. Fred Hampton scared the government so much that they shot him in his sleep. He made such a big impact in his community, it's humbling to think he was only 21 when he died.